The Madara Rider or Madara Horseman is a large early medieval rock relief carved on the Madara Plateau east of Shumen. The monument is dated to the very late 7th or more often the very early 8th century, during the reign of the Bulgar Khan Tervel. In 1979, the monument was listed as a UNESCO World Heritage Site.
The relief sculpture depicts a majestic horseman, approximately 23 m above ground level, carved into an almost vertical 100 m-high cliff. The sculpture is almost life-size. The horseman, facing right, is thrusting a spear into a lion lying at his horse's feet, and on the left a dog is running after the horseman. The carving of the horseman's halo and garments, as well as the bird in front of the horseman's face, are barely recognizable due to centuries of erosion and the generally poor condition of the monument.
Three partially preserved texts in Medieval Greek, carved in the rock, can be found around the image of the rider. They bear important information regarding the history of Bulgaria in the period. The oldest inscription is the work of Tervel (701–718 AD), thus it is considered that the relief was created during his rule or immediately after the Bulgars settled the region in 680–681 AD. The other inscriptions refer to the Khans Krum (802–814 AD) and Omurtag (814–831 AD), who are most likely the ones who ordered the carvings.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.