User Reviews
Demir Baba Teke is a 16th-century Alevi mausoleum (türbe) near the village of Sveshtari. It is thought to be the resting place of Demir Baba, a 16th-century Alevi saint. The tomb itself is a heptagonal building constructed out of local sandstone. It has a lower rectangular antechamber and is covered by a hemispherical dome 11 metres (36 ft) in height. Demir Baba's grave lies in the middle of the heptagonal inner premises. Constructed out of bricks and wood, the sarcophagus is 3.74 metres in length and is positioned with the saint's head pointing southwest. The sarcophagus is usually entirely covered by gifts and is only rarely displayed to Alevi pilgrims.
The mausoleum is thought to have been constructed in the 16th century on what was probably an ancient Thracian holy site from the 4th century BC. A cult complex (tekke) gradually emerged around the türbe. This included a holy spring, a mosque that was mentioned by travellers in the 18th and 19th centuries but was then destroyed, and a wooden public kitchen (imaret) which was pulled down in 1976 due to its deteriorating condition. The tekke features that have survived until today are the mausoleum, the holy spring, a residential building and a low stone fence surrounding the complex. A small exhibition in the residential building explains the story of the Alevis and Demir Baba himself.
Demir Baba Teke was proclaimed a monument of culture of local importance in 1970 by the government of the then-People's Republic of Bulgaria. The mausoleum was renovated in 1991–1994: the decaying wooden floor was replaced with a new one and the building's interior decorative elements (including the 19th-century murals) were reconstructed.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.