The site of Cuzorn, located in a bottleneck of the Lémance valley, allowed control of access to the region, but its origin remains unknown. The first mention of Cuzorn dates back to 1242, in the ruins of the Belleperche abbey, where an inscription mentions a certain B. de Cuzorn.
In 1259, the local nobility paid homage to the Count of Toulouse, including the brothers Gaubert, Pons, Guillaume, and Gaillard de Fumel, although neither lordship nor castle were mentioned at Cuzorn. However, documents from 1270 mention the lords of the castle of Cuzorn and Amalvinus de Cuzorn in conflict with the Bishop of Agen, suggesting a construction of the castle between 1260 and 1270.
Over the centuries, the lordship of Cuzorn had several owners, including the de Lézergues family and later the Gontaut de Saint-Geniès. In 1442, the castle was besieged, and later its defenses were dismantled. Subsequently, the lordship passed between different families until the 19th century.
In 1953, the castle was acquired by Georges Rastel, who undertook significant renovation work. In 1995, Thierry Delrieu became the owner of the castle, while the ruins were transferred to the municipality in 1996. In 1950, the castle was listed as a historical monument.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.