The ancient theatre of Elis is situated on the north of the agora, on an old fluvial terrace of the River Peneus, appropriately landscaped for the purpose. The theatre was built in the 4th century BC. Major damage, probably due to an earthquake during the Late Hellenistic period, led to the replacement of the west retaining wall with a new one. The theatre was also modified in Roman times.
The theatre boasts the somewhat rare feature of an earthen cavea. Only the access passageways to the upper cavea, the parodoi and a row of stone seats in the lower cavea were faced with stone. Six staircases, approximately one metre wide and paved with river pebbles, divided the cavea into seven cunei. Strong retaining walls supported the fill of the cavea, forming, together with the lateral compartments of the stage, the two parodoi of the theatre.The permanent stone stage building is one of the earliest in Greece. It also preserved one of the oldest proscenia (early 3rd c. BC), its façade once decorated with half-columns.
Large holes along the stylobate were used to set up the scenery. Behind the proscenium were the various spacious compartments of the stage, with the parascenia on either side. The originally circular orchestra was truncated by the construction of an elongated cistern from which rainwater was channelled through an older duct into the River Peneus.The traveller Pausanias, who visited Elis in the latter half of the 2nd c. AD, found the theatre abandoned. A century later the whole area was turned into a cemetery. This destruction, also visible in other parts of the ancient city, is connected to the invasion of the Heruli (267 AD).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.