Mega Spilaio is a Greek Orthodox monastery in the municipality of Kalavryta, in the Peloponnese peninsula in southern Greece.
The monastery is located in a large cave in a sheer cliff, where the western slopes of Mount Chelmos drop down to the gorge of the Vouraikos river. The cave was known in antiquity, and the geographer Pausanias reports that the daughters of Proetus found refuge there during their madness. In the first Christian centuries, Christian hermits occupied the cave.
According to tradition, the monastery is one of the oldest in Greece, reputedly founded in 362 by the Thessalonian brothers Symeon and Theodore, who with the help of Euphrosyne (a local shepherdess, honoured as saint for her part in these events) discovered in the cave the icon of the Theotokos painted by Luke the Evangelist.
Its medieval history under Byzantine and Latin rule is obscure. The monastery gained prominence only from about 1354, when it served as the residence of the Orthodox Metropolitan of Patras, since the city was still occupied by the Latins and the seat of a Latin archbishopric. The complex suffered large-scale destructions in 849, 1400, and 1640, when it was comprehensively rebuilt.
Several of the monks became members of the Filiki Etaireia and took part in the Greek War of Independence. In 1934, the katholikon was destroyed in a fire, and replaced by a new church in 1937. On 8 December 1943, the German 117th Jäger Division destroyed the monastery and executed 22 monks and visitors as part of reprisals that culminated a few days later with the Massacre of Kalavryta.
The monastery was rebuilt from the ground after the war, and now comprises an eight-storey complex set in the 120 metres high cliff face.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.