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According to Greek mythology, Troezen came into being as a result of two ancient cities, Hyperea and Antheia, being unified by Pittheus, who named the new city in honor of his deceased brother, Troezen. The ancient city of Troezen was one of the first cult centres in honour of the sea god Poseidon (in Greek mythology Poseidon is a forebearer of the former king Troezen after whom the city was named).
In 580 BC and in the face of the advancing Persian army Athenian general Themistocles proposed to the city assembly that all the women, children and elderly residents of Athens be evacuated to Troezen while able bodied men were sent to fight the Persians or to man the Athenian fleet. Although Athens was subsequently destroyed its citizens were spared.
During the Classical and Hellenistic periods numerous temples and other buildings were constructed in Troezen including a complex of buildings forming a sanctuary to Asclepius although this was somewhat overshadowed by its rival at nearby Epidauros. Other temples were dedicated to Artemis, Hippolytus, Athena and Aphrodite, traces of which can be found in a forest near Troizina.
In 230 BC the volcano at nearby Methana erupted causing severe earthquakes which destroyed many of the temples and buildings at Troezen leading to a decline of the sanctuary to Asclepius. During the Roman era many of these buildings were restored but as Christianity became predominant material from ancient buildings was used in the construction of churches as can be seen in the Diocese church which dates to the 6th century AD.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.