The Acropolis of Athens and its monuments are universal symbols of the classical spirit and civilization and form the greatest architectural and artistic complex bequeathed by Greek Antiquity to the world. In the second half of the 5th century BC, Athens, following the victory against the Persians and the establishment of democracy, took a leading position amongst the other city-states of the ancient world. In the age that followed, as thought and art flourished, an exceptional group of artists put into effect the ambitious plans of Athenian statesman Pericles and, under the inspired guidance of the sculptor Pheidias, transformed the rocky hill into a unique monument of thought and the arts. The most important monuments were built during that time: the Parthenon, built by Ictinus, the Erechtheon, the Propylaea, the monumental entrance to the Acropolis, designed by Mnesicles and the small temple Athena Nike.
The Acropolis of Athens is the most striking and complete ancient Greek monumental complex still existing in our times. It is situated on a hill of average height (156m) that rises in the basin of Athens. Its overall dimensions are approximately 170 by 350m. The hill is rocky and steep on all sides except for the western side, and has an extensive, nearly flat top. Strong fortification walls have surrounded the summit of the Acropolis for more than 3,300 years.
The first fortification wall was built during the 13th century BC, and surrounded the residence of the local Mycenaean ruler. In the 8th century BC, the Acropolis gradually acquired a religious character with the establishment of the cult of Athena, the city’s patron goddess. The sanctuary reached its peak in the archaic period (mid-6th century to early 5th century BC).
In the 5th century BC, the Athenians, empowered from their victory over the Persians, carried out an ambitious building programme under the leadership of the great statesman Perikles, comprising a large number of monuments including the Parthenon, the Erechtheion, the Propylaia and the temple of Athena Nike. The monuments were developed by an exceptional group of architects (such as Iktinos, Kallikrates, Mnesikles) and sculptors (such as Pheidias, Alkamenes, Agorakritos), who transformed the rocky hill into a unique complex, which heralded the emergence of classical Greek thought and art.
On this hill were born Democracy, Philosophy, Theatre, Freedom of Expression and Speech, which provide to this day the intellectual and spiritual foundation for the contemporary world and its values.
The Acropolis’ monuments, having survived for almost twenty-five centuries through wars, explosions, bombardments, fires, earthquakes, sackings, interventions and alterations, have adapted to different uses and the civilizations, myths and religions that flourished in Greece through time.References:
The Naveta d"Es Tudons is the most remarkable megalithic chamber tomb in the Balearic island of Menorca.
In Menorca and Majorca there are several dozen habitational and funerary naveta complexes, some of which similarly comprise two storeys. Navetas are chronologically pre-Talaiotic constructions.
The Naveta d"Es Tudons served as collective ossuary between 1200 and 750 BC. The lower chamber was for stashing the disarticulated bones of the dead after the flesh had been removed while the upper chamber was probably used for the drying of recently placed corpses. Radiocarbon dating of the bones found in the different funerary navetas in Menorca indicate a usage period between about 1130-820 BC, but the navetas like the Naveta d"Es Tudons are probably older.
The shape of the Naveta d"Es Tudons is that of a boat upside down, with the stern as its trapezoidal façade and the bow as its rounded apse. Its groundplan is an elongated semicircle. Externally, the edifice is 14.5 m long by 6.5 m wide and 4.55 m high but it would originally have been 6 m high.
The front, side walls and apse of the edifice consist of successive horizontal corbelled courses of huge rectangular or square limestone blocks dressed with a hammer and fitted together without mortar, with an all-round foundation course of blocks of even greater size laid on edge.