Porta Coeli Charterhouse is located on a rural site of the municipality of Serra de Porta Coeli in the province of Valencia, Spain. The name of the charterhouse, Porta Coeli, means door of heaven.
The monastery was founded in 1272 under the sponsorship of Andrés Albalat, Bishop of Valencia and confessor of James I of Aragon. From this monastery came the monks to found the charterhouses of Ara Christi and Via Coeli.
The monastery was suppressed in the 19th century, and although it tried to regain the site, the order did not return until 1943, with reconsecration in 1947. It was used as a Francoist concentration camp between 1939 and 1941. It remains the only cloistered men's monastery in the province.
Construction at Porta Coeli began at its foundation and continued for centuries, giving the monastery its eclectic architectural contributions. The church is mainly Gothic in style, from the 14th century. In the 18th century it underwent a major Baroque restructuring. Among the works in the church are paintings depicting scenes from the New Testament (18th century) by the painter José Camarón Bonanat. It has portraits of the monks Juan de Nea, Francisco de Aranda, Bonifacio Ferrer and Francisco Maresme. The ceiling was frescoed by Luis Antonio Planes. Visits to the cloisters are limited.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.