Porta Coeli Charterhouse is located on a rural site of the municipality of Serra de Porta Coeli in the province of Valencia, Spain. The name of the charterhouse, Porta Coeli, means door of heaven.
The monastery was founded in 1272 under the sponsorship of Andrés Albalat, Bishop of Valencia and confessor of James I of Aragon. From this monastery came the monks to found the charterhouses of Ara Christi and Via Coeli.
The monastery was suppressed in the 19th century, and although it tried to regain the site, the order did not return until 1943, with reconsecration in 1947. It was used as a Francoist concentration camp between 1939 and 1941. It remains the only cloistered men's monastery in the province.
Construction at Porta Coeli began at its foundation and continued for centuries, giving the monastery its eclectic architectural contributions. The church is mainly Gothic in style, from the 14th century. In the 18th century it underwent a major Baroque restructuring. Among the works in the church are paintings depicting scenes from the New Testament (18th century) by the painter José Camarón Bonanat. It has portraits of the monks Juan de Nea, Francisco de Aranda, Bonifacio Ferrer and Francisco Maresme. The ceiling was frescoed by Luis Antonio Planes. Visits to the cloisters are limited.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.