The Saint Maurice basilica of Épinal was built in the 11th century on the foundations of an older building. Romanesque style, it is remodeled and enlarged from the thirteenth, aisles being added on both sides of the nave. At this time also, the choir is rebuilt, and a new portal overlooking the city is built in the north wall of the nave.
First abbey dedicated to Saint Goëry whose relics with miraculous virtues are then the subject of pilgrimages, it is still in the thirteenth century that it becomes the seat of a chapter of canonesses and that it is dedicated to St. Mauritius.
Featuring a singular 30 m high belfry tower, its material, the pink sandstone of the Vosges, its mixture of styles (at the hinge between Romanesque and Gothic), its dimensions (the nave is 14 m high), its grandstands served by stairs in turrets visible from the outside, also amaze the visitor.
Inside still, we can admire a painting by Nicolas Bellot depicting the Passion (XVII), the necropolis where the old canonesses, reliquaries.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.