Remiremont Abbey was founded around 620 by Romaric, a lord at the court of Chlothar II. The men's monastery disappeared perhaps during the 9th century. Around 818, the nuns adopted the more flexible Rule of St. Benedict and settled in the Moselle valley below. They kept the name of the founder, Romarici Mons (Romaric's mount) which later became 'Remiremont'. A market town grew around the monastery. In the Middle Ages, its estate was the largest in the region.
Gradually, the women at Remiremont stopped following the Benedictine rule and became secular canonesses, who did not take perpetual vows, and were free to resign their prebendary and marry. Remiremont was very exclusive. Canonesses were admitted from those who could give proof of 200 years of noble descent. Enriched by the Dukes of Lorraine, the kings of France and the Holy Roman Emperors, the canonesses of Remiremont attained great power. The canonesses lived independently within the abbey with their own circle of friends and servants.
The abbey church consecrated by Pope Leo IX in 1051, at which time he granted Remiremont exemption from episcopal oversight, reporting to the Pope.
In the 17th century the canonesses of Remiremont took the title of countesses. In church they wore long white mantles trimmed with ermine. They were obliged to live at the abbey three months in the year in gentile houses built in a large enclosure around the church. Many kept carriages and gave balls, concerts, and other entertainments.
The last abbess, under the Ancien Régime from 1786 until 1790, was Louise Adélaïde de Bourbon, the daughter of Louis Joseph, Prince of Condé. She was prioress of the Monastery of the Temple at her death in 1824.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.