The Château du Grand Jardin was a maison de plaisance attached to Claude de Lorraine, duc de Guise, who built it between 1533 and 1546 as a grand pavilion designed for fêtes and entertainments. The château formed an annex to the medieval castle overlooking Joinville, a stronghold of the House of Guise that was demolished at the French Revolution.
In addition to its grand festive hall, which dominated the interior, were a suite of semi-private rooms to which the duke and duchess could withdraw with their most honored guests; they included a chamber preceded by its antechamber and a more private garde-robe within, but no bedrooms, as the seat of the Duke, the château de Joinville itself, was so near at hand. The Château du Grand Jardin functioned as a banqueting house on the grandest scale, a fit demonstration of the power and prestige of the head of the House of Guise.
The site, partly in ruins, was purchased at the beginning of the 1980s by the conseil général of Haute-Marne. The building was restored, and the grand park created in the 19th century has been restored and replanted.
The site has also reacquired its original vocation as a place of culture: concerts of classical music are presented at the Grand Jardin, expositions of contemporary art, and colloquiums. The château du Grand Jardin is currently a member of the European network of Centres culturels de rencontre.
The plan of the château, surrounded by its moat in the usual French manner, comprises a rectangular corps de logis without wings or outbuildings. Richly ornamented, it combines elements of Italian architectural style, under its prominent French slate roof with dormer windows.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.