The church of Saint Charles in Arona was designed by architect Francesco Maria Richini and built starting from 1614.
The building consists of a single large square room in a baroque style. The motto of the Borromeo family “Humilitas” is written in the centre of the black and white marble floor. The inside of the late baroque dome was painted in the early XVIII century.
From the two doors either side of the altar, you reach a corridor that encircles a chapel dedicated to the birth of Saint Charles. This room is a reproduction of the “room of the three lakes”: in fact, some parts of the room of the castle, where the saint was born, were brought here in order to allow better access to the pilgrims. In the chapel, two closets with wood inlay doors, preserve relics of the saint.
In the same corridor there is a sedan chair, used by Saint Charles, and a wooden model of Milan Cathedral made by the seminarists of the local seminary, on occasion of the third centenary of the saint’s death.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.