The Nubian Museum was founded in response to the international salvage campaign of the ancient Nubian monuments initiated by UNESCO upon the request of the Egyptian government in 1960. Work on establishing the Nubian Museum began in the early 1980s when a committee was formed comprising of specialists from the Supreme Council of Antiquities, Egyptian universities, and UNESCO.
The task of designing the building was entrusted to the architect Dr. Mahmoud Al-Hakim, and the museum’s interior was designed by the Mexican engineer Pedro Ramirez Vazquez, whose job it was to exhibit the archaeological, historical, cultural, and environmental heritage of Nubia. The Nubian Museum was opened in 1997, with its distinctive architectural design clad in local sandstone and pink granite, reflecting traditional local Nubian architecture. In 2001 it was awarded the Agha Khan Award for Islamic Architecture.
The museum has three floors, exhibiting thousands of artefacts that shed light on the development of Egyptian and Nubian geographical, social, and cultural civilization. The main exhibition hall and diorama present the local traditions and handicrafts of Nubia. In addition to the exhibition galleries, the museum also holds a lecture hall, library, educational department, theatre, and an open amphitheatre for the presentation of Nubian folklore.
The garden attached to the museum serves as an open-air museum that includes a part of a Fatimid cemetery, a cave with prehistoric rock inscriptions, and a waterway symbolising the artery of ancient Egyptian civilization, the River Nile. A series of water channels demonstrates the relationship between the river and the Nubian village surrounded by plants that would have been common in ancient times. A reconstruction of a Nubian house offers a glimpse into the daily life of the Egyptians in Nubia.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.