The village church of Jördenstorf is a late medieval church located in Jördenstorf, in the district of Rostock, Mecklenburg-Vorpommern.
The oldest part of the church is the rectangular, east-facing chancel, likely built from fieldstone in the mid-13th century. To the west, a slightly wider and taller rectangular nave made of brick was added shortly afterward. The western end of the church is marked by a brick tower, probably constructed in the 15th century, topped with a recessed, later timber-framed addition and a tent roof. The chancel is covered by an eight-ribbed vault, while the nave has a flat wooden ceiling. The east gables of both the chancel and the nave are decorated with blind arcading.
The church contains rich furnishings, mostly from the 18th century. The organ case on the western gallery—built in the first half of the 18th century—was created in 1777 by Paul Schmidt of Rostock. However, the organ itself, built in 1878 by Friedrich Friese III, features 15 stops on two manuals and pedal, and was restored in 1978.
The pulpit with its ornate sound canopy on the right side of the chancel arch dates from 1734, while the confessional booth is from 1715. The altarpiece was crafted in 1793, topped by a crucifixion group from the 15th century. The main altarpiece painting is a later copy from 1875 after Guido Reni. On the church’s south wall is an ornate epitaph for J. von Blücher from the 17th century. Various pews in the church, as well as some historical gravestones inside and around the church, also date from the 17th and 18th centuries.
The church bell was cast in 1749 by Otto Gerhard Meyer in Rostock. The church treasury includes several gilded chalices from the 18th century, along with some historical candlesticks.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.