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Two hillforts are located in the vicinity of the Molavėnai village. Two nature monuments are protected by the state – an old oak tree near one of the hillfots and a stone called Mokas. Molavėnų I hillfort was first erected in the 1st century AD and consisted of defensive fortifications and a wooden fort. The site is located on a long (350 m), narrow projection into a bend of the river Šešuvis. The site is protected on the northeast and southwest by steep slopes, marshy banks, and the river. To protect it on the northwest, the only known Lithuanian double defensive system that uses earth and wooden outworks was erected on the projection’s neck. In all, it consisted of five ditches, four earthworks, and three levelled courtyards. A fortified settlement was built at the southeast end. In addition, the levelled hilltop areas were surrounded by palisades of sharpened poles. Artefacts dating from the early 1st century to the early second millennium were found during 21st century excavations. The site was eventually abandoned due to continued erosion and the shrinking hilltop.
Molavėnų II hillfort was built 400 m upstream in the 12th century on another projection at the confluence of the river Šešuvis and its tributary, the Jaujupis. Only the northeast and east sides were not protected by natural defences and so were instead guarded by a series of four earthworks and four ditches. A 20 m long earthwork with a corresponding ditch was constructed on the southwest slope. The flat hilltop was ringed by a wooden defensive wall. A tower was erected on the big earthwork, and wooden palisades on the other earthworks. A 2009 excavation discovered pottery dating to the 12th–14th centuries. Dry stone revetting was also found in one ditch.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.