The Château de Blain was originally constructed by order of Alan IV, Duke of Brittany, around 1108. The fortress passed by marriage to the Clisson family in 1225. Following Olivier I de Clisson's revolt against the Duke, the castle was razed in 1260.
Olivier I's son, Olivier II obtained permission from the Duke to rebuild the castle. The Clissons progressively enlarged the castle during the 14th century. In 1407, the castle became the property of the House of Rohan. Louis, duc de Rohan is buried here. During the French Wars of Religion, the castle was besieged and set on fire in 1591 during the fighting between the Duke of Mercœur and Jean de Montauban, the knight De Goust. It was restored by Catherine de Parthenay, who installed herself there with her children. In 1628, Henri II de Rohan having become the leader of the Protestant princes, Cardinal Richelieu ordered the dismantling of the castle which thus lost its military role.
The castle suffered further serious damage during the French Revolution. It was pillaged and burnt, along with the Rohan family archives. It served as a barracks and later as a prison. It passed through the hands of several proprietors, including Marie Bonaparte in 1918. These owners remodelled the north wing (known as the Logis du Roy) and the Mill Tower (la tour du moulin).
The South West Tower and the Drawbridge Tower with the buildings on either side form the entrance to the castle. Along with the Constable's Tower (tour du Connétable), the two towers in the south east and the monumental entrance on the south facade of the logis du Roi, they date from before the 17th century. Together with the remains of the towers and the fortifications linking them, these have been classified as a monument historique by the French Ministry of Culture. The north wing of the logis du Roi was remodelled in the 19th century. The castle is home to a fresco centre and an ancient printshop. It has been listed since 1977 as a monument historique by the French Ministry of Culture.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.