Chateaux of Pays de la Loire
Château d'Ancenis
Château d'Ancenis was originally built in 984 AD to the banks of Loire river. It was a motte-and-bailey castle made of wood. In the 15th century it was rebuilt as a stone castle and has also Renaissance features.Château de Pornic
Situated in the port of Pornic, Château de Pornic has long been a symbol of the town. The castle is privately owned and not open to the public. The castle is bordered on one side by the sea and is constructed on a defensive site. In the Middle Ages, it provided for the defence of the port. In the 10th century, Alan Wrybeard, Duke of Britanny, built and fortified a wooden castle. It was occupied by a garrison who pr ...Château de Blain
The Château de Blain was originally constructed by order of Alan IV, Duke of Brittany, around 1108. The fortress passed by marriage to the Clisson family in 1225. Following Olivier I de Clisson"s revolt against the Duke, the castle was razed in 1260. Olivier I"s son, Olivier II obtained permission from the Duke to rebuild the castle. The Clissons progressively enlarged the castle during the 14th century. ...Château des Ducs de Bretagne
The Château des ducs de Bretagne (Castle of the Dukes of Brittany) is a large castle located in Nantes. It served as the centre of the historical province of Brittany until its separation in 1941. It was the residence of the Dukes of Brittany between the 13th and 16th centuries, subsequently becoming the Breton residence of the French Monarchy. Today the castle houses the Nantes History Museum. The restored edifice ...Château de Noirmoutier
Château de Noirmoutier is very well preserved and a fine example of 12th century medieval architecture. The first traces of the castle appeared in 830 with the construction of a castrum by the abbot Hilbold, from the monastery of Saint-Philbert. It served to defend the monks and the island"s population from the Vikings. The castle was rebuilt in stone in the 12th century by the feudal power who was trying to st ...Château de Goulaine
The Château de Goulaine has been home to the family of the marquis de Goulaine for over a thousand years. Château de Goulaine is also the estate-bottled wine produced at the château. In the 12th century, when the Duchy of Brittany was independent, the first Goulaine, Jean de Goulaine, then captain of the city of Nantes, fortified the estate, which is still surrounded by marshes, to defend against attacks from Normans. ...Château de Clermont
Château de Clermont was inherited by the de Funès family from an aunt, the Countess of Maupassant. It was built between 1643 and 1649 by the Chenu de Clermont, a family of important military administrators. René Chenu, (1599–1672) was a long-time governor of the fortified towns of Oudon and Champtoceaux which dominated the Loire upstream. His son Hardy Chenu (1621–1683) was in charge of the ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Monastery of São Vicente de Fora
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.