The medieval church of Fuglse was originally dedicated to St Lawrence but after it was rebuilt in 1595 it was dedicated to the Holy Trinity. After the Reformation it was owned by the Crown until it was transferred to the prefect Henning Ulrich von Lützow in 1689 who gained ownership of nearby Søholt the following year. It later came into the ownership of Raben Huitfeld Levetzau til Kærstrup (1835) and then Baron Gottlob Rosenkrantz until it gained independence in 1916.
The old Romanesque church fell into such a bad state of repair that it was almost completely rebuilt by Henning Gøye til Kærstrup og Søholt in 1595. Now in the Renaissance style, the church consists of a chancel, nave and tower, with burial chapels to the north and south. Unusually, the north chapel is three-sided. More recently, a small porch was built on the west side of the tower. The chancel, nave and chapels are built of roughly-hued fieldstone with some brick while the tower is in red brick.
The Renaissance triptych altarpiece (1610), partly reconstructed from an earlier five-winged Late-Gothic work, contains a copy of Jacob Jordaens' Adoration of the Shepherds from 1618. The pulpit (c. 1600) bears copies of Thorvaldsen's carved figures of Peter, Paul and John which were added later. There are epitaphs to Henning Ulrich von Lützow and his two wives at the entrance to the burial chapel on the north side of the nave. The rather primitive baptismal font from the Romanesque period is in granite.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.