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The Eastern Settlement (Eystribyggð) was the first and largest of the three areas of Norse Greenland, settled c. AD 985 by Norsemen from Iceland. At its peak, it contained approximately 4,000 inhabitants. The last written record from the Eastern Settlement is of a wedding solemnized in 1408, placing it about 50–100 years later than the end of the more northern Western Settlement.
Despite its name, the Eastern Settlement was more south than east of its companion and, like the Western Settlement, was located on the southwestern tip of Greenland at the head of long fjords. Approximately 500 groups of ruins of Norse farms are found in the area, including 16 church ruins.
The economy of the medieval Norse settlements was based on livestock farming - mainly sheep and cattle, with significant supplement from seal hunting. A climate deterioration in the 14th century may have increased the demand for winter fodder and at the same time decreased productivity of hay meadows. Isotope analysis of bones excavated at archaeological investigations in the Norse settlements have found that fishing played an increasing economic role towards the end of the settlement's life. While the diet of the first settlers consisted of 80% agricultural products and 20% marine food, from the 14th century the Greenland Norsemen had 50–80% of their diet from the sea.
In the Eskimo tradition, there is a legend about Hvalsey. According to this legend, there was open war between the Norse chief Ungortoq and the Eskimo leader K'aissape. The Eskimos made a massive attack on Hvalsey and burned down the Norse inside their houses, but Ungortoq escaped with his family. K'aissape conquered him after a long pursuit, which ended near Kap Farvel. However, according to archaeological studies, there is no sign of a conflagration.
References:The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.