Røros is a characteristic example of this type of technological and industrial development, as well as being an outstanding survivor of a traditional kind of human settlement built by traditional methods of construction. Also, it has vulnerable under the impact of economic change since the cessation of copper mining after 333 years of continuous activity. Lastly, Røros embodies a strong degree of rarity because of its location. It was built as an industrial community in the mountains (650 m above sea level) at a very northern latitude subject to extremely long winters and low temperatures (-50 °C).
Within the framework of Norway's inventory of cultural property, Røros ranks in importance with Bryggen and the stave church at Urnes. Røros is an extensive mining settlement dating from 1644, when the development of the copper works began. Its physical history has continued without interruption since the town was burned in 1679.
Thus the numerous surviving buildings represent the Norwegian tradition of construction that flourished in the 18th and 19th centuries. The buildings reflect the dual occupations of the inhabitants - mining and farming - the domestic groups being arranged as compact farmyards. These groups are disposed on a regular urban pattern adapted to the mountain terrain, reflecting the particular kind of industrial planning introduced by the Danish kings of Norway in the 16th and 17th centuries.
Røros is in a remarkably complete state of preservation. An engraving of the town as seen from the slag heaps in the 1860s is virtually the same as a photograph of the 1970s taken from the same viewpoint.
Preservation efforts date from the early years of the 20th century. The first legal protection of buildings in Røros was effected in 1923. Legal protection now extends to 80 buildings. In 1936 land was purchased for the development of an open-air museum, and the first old building was moved to the site in 1947. However, the museum impetus was overtaken by a movement, dating from 1938, that led to the preparation of plans for the preservation of the town and copper works.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.