UNESCO World Heritage Sites in Norway
Bryggen
Bryggen (Norwegian for the Wharf), is a series of Hanseatic commercial buildings lining the eastern side of the fjord coming into Bergen. Bryggen has since 1979 been on the UNESCO list for World Cultural Heritage sites. The name has the same origin as the Flemish city of Brugge. The city of Bergen was founded in 1070. The area of the present Bryggen constitutes the oldest part of the city. Around 1360 a Kontor of the Han ...Alta Rock Carvings
The Rock Drawings of Alta constitute the most important piece of evidence in favour of the existence of human activity in the confines of the Great North during the prehistoric period. Studied from 1967, the petroglyphs of the Alta fjord in the province of Tromsø were immediately classed among the leading rock art sites in the world. Close to the Arctic Circle, they are a valuable illustration of human activity bet ...Rjukan-Notodden Industrial Site
Rjukan–Notodden Industrial Heritage Site is created to protect the industrial landscape around Lake Heddalsvatnet. The landscape is centered around the plant built by the Norsk Hydro to produce fertilizer from atmospheric nitrogen. The complex also includes hydroelectric power plants, transport systems, including railways, transmission lines and factories, and workers" accomodation and social institutions in th ...Røros Mining Town
Røros is a characteristic example of this type of technological and industrial development, as well as being an outstanding survivor of a traditional kind of human settlement built by traditional methods of construction. Also, it has vulnerable under the impact of economic change since the cessation of copper mining after 333 years of continuous activity. Lastly, Røros embodies a strong degree of rarity beca ...Urnes Stave Church
The stave churches constitute one of the most elaborate types of wood construction which are typical of northern Europe from the Neolithic period to the Middle Ages. Christianity was introduced into Norway during the reign of St Olav (1016-30). The churches were built on the classic basilical plan, but entirely of wood. The roof frames were lined with boards and the roof itself covered with shingles in accordance with con ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Monastery of São Vicente de Fora
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.