Hopperstad Stave Church is assumed to have been built around 1130 and still stands at its original location. The church is owned by the Society for the Preservation of Ancient Norwegian Monuments.
In 1997, a series of samples from the logs were collected for dendrochronological dating of the church. A total of seven samples produced an estimate for the construction ranging from 1034 to 1116 and resulted in no definite conclusion. The only possible conclusion is that this is one of the oldest stave churches still standing.
About 700 years after its construction the church was abandoned and its exterior stripped. The church was in very poor condition for many years until the Society for the Preservation of Ancient Norwegian Monuments purchased the building in 1880. Using the Borgund Stave Church as a model, architect Peter Andreas Blix reconstructed the church between 1884 and 1891. During the reconstruction carved sections were found beneath the floor which indicates that the new church replaced an older church, which was probably built in the latter half of the 11th century.
The church had not undergone any major changes until the 17th century. At that time the nave was lengthened to the west, and a bell-tower was added above the new extension. To the east a log section was added, and a new vestibule to the south with its own entrance.
The largest addition came to the north with a log construction, named the new church (nykirken). The constructions were finalized in the 18th century, but then removed in around 1875. The font is placed under the medieval baldaquin. The walls are painted by numerous quotes from the Holy Scripture in vivid colours.
The church is a triple-nave stave church of what is known as the Borgund-type. It has three portals, and the western portal is an excellent example of Middle Age wood carving. The motifs are of a romance character, often associated with European influence. The nave is a raised central room with an aisle around it, and the choir is apsidal and narrower than the nave.
The church contains an altar dedicated to the Virgin Mary, and 14th-century ciborium with a baldachin on the north side. The ciborium has four sculptured heads, that of Christ with a halo, a queen, a king, and a monk. The roof of the baldachin bears a painting of the birth of Christ.References:
Soave castle was built in 934 to protect the area against the Hungarian invasions. It was remodelled by Cansignorio of the Scaliger family in the mid-1300s. in 1365 Cansignorio had the town walls erected and the Town hall was built in the same year.
The castle underwent various vicissitudes until, having lost its strategic importance, it was sold on the private market in 1596. In 1830 it was inherited by Giulio Camuzzoni who restored the manor and in particular the surroundings walls (with is twenty-four towers), the battlements and living-quarters.
Soave castle is a typical medieval military edifice, commanding the neighbourhood of the city from the Tenda Hill. It comprises a mastio (donjon) and three lines of walls forming three courts of different size. The outer line, with a gate and a draw bridge, is the most recent, built by the Venetians in the 15th century. It houses the remains of a small church from the 10th century.
The second and larger court, the first of the original castle, is called della Madonna for a fresco portraying St. Mary (1321). Another fresco is visible after the door leading to the inner court, and portrays a Scaliger soldier. The mastio is the most impressive feature of the castle. Bones found within showed it was used also as prison and place of torture.
The House called del Capitano (the Scaliger commander) houses Roman coins, weapons parts, medals and other ancient remains found during the most recent restoration. Adjacent is a bedroom with a 13th-century fresco with St. Mary and Madeleine and a dining room with medieval kitchenware. Another room houses the portraits of the most famous Scaliger figures: Mastino I, Cangrande, Cansignorio and Taddea da Carrara, wife of Mastino II; the portrait of Dante Alighieri testify an alleged sojourn of the poet in the castle.