Værnes Church, the oldest building in Stjørdal, was built around 1085-1100. It was nearly started at the same time as the Nidaros Cathedral in Trondheim. Under the high roofs the centuries have written their autographs. Pictures of gods and devil´s masks fight ruthlessly about the hegemony in the human soul. The dramaturgy of the Middle Age comes alive in the life- or death battle that unfolds before our eyes on the church walls.
If you lift your eyes even further, towards the roof-truss, you can see the last millennium face to face. Nowhere else in the country you will have such an opportunity to admire the art of carpentry as it was displayed nearly 900 years ago. This is one of the reasons why the Church of Værnes is a familiar name in antiquarian circles on the whole continent. The wooden ceiling is the original from the 12th century, and the only one still in existence. It has a span of more than 11 meters and has been the inspiration for reconstructions of roofs in other medieval buildings in Norway (the Nidaros Cathedral in Trondheim and Håkonshallen in Bergen).
The Church of Værnes is a cultural treasure, perhaps because the majestic church building gives us a close contact with the mysticism and sentiment of the past. Many people come here to contemplate about the mysteries of life - great and small. The thoughts wander among the beams under the roof, casting curious glances at the 'Værnes Chair', made in 1685 as the private pew for the squire of Værnes (General Schultz and his wife). This chair shows us a mastery in wood carving that amazes everyone with its perfectionism and richness in details. Fine wall paintings, stone figures and runic inscriptions are also found in the church.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.