Værnes Church, the oldest building in Stjørdal, was built around 1085-1100. It was nearly started at the same time as the Nidaros Cathedral in Trondheim. Under the high roofs the centuries have written their autographs. Pictures of gods and devil´s masks fight ruthlessly about the hegemony in the human soul. The dramaturgy of the Middle Age comes alive in the life- or death battle that unfolds before our eyes on the church walls.
If you lift your eyes even further, towards the roof-truss, you can see the last millennium face to face. Nowhere else in the country you will have such an opportunity to admire the art of carpentry as it was displayed nearly 900 years ago. This is one of the reasons why the Church of Værnes is a familiar name in antiquarian circles on the whole continent. The wooden ceiling is the original from the 12th century, and the only one still in existence. It has a span of more than 11 meters and has been the inspiration for reconstructions of roofs in other medieval buildings in Norway (the Nidaros Cathedral in Trondheim and Håkonshallen in Bergen).
The Church of Værnes is a cultural treasure, perhaps because the majestic church building gives us a close contact with the mysticism and sentiment of the past. Many people come here to contemplate about the mysteries of life - great and small. The thoughts wander among the beams under the roof, casting curious glances at the 'Værnes Chair', made in 1685 as the private pew for the squire of Værnes (General Schultz and his wife). This chair shows us a mastery in wood carving that amazes everyone with its perfectionism and richness in details. Fine wall paintings, stone figures and runic inscriptions are also found in the church.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.