According to the Icelandic recorder of sagas, Snorre, Olav Trygvason docked at Moster in 995 following his voyage across the North Sea from England, in order to become king of Norway. Here he celebrated mass and founded a Church, and Saint Olav and his bishops held Ting (court) here in the year 1024. Moster Church is thought to be the Norwegian village Church with the longest antiquarian history. In 1874 the Society of Historic Monuments (Fortidsminneforeningen) purchased the church, probably the Norwegian rural church with the longest antiquarian history. Moster Church is one of the simplest church buildings in Norway with a square choir and a rectangular nave. Included in the guided tour of Moster Amfi.
High on the walls of the nave and chancel you can see what remains of some early Renaissance frescos, probably from around 1600. The frescos on the lower part of the nave and chancel walls must be rather more recent, probably from the 1630s. Light, supple rows of fruit surround the area depicting biblical scenes, most of which are no longer visible. In the nave there are some rectangular, framed areas that were probably intended to hold epitaphs or commemorative plaques.
A medieval bell from the 13th century is suspended from the church ceiling. It is engraved with a figure of St. Olav and the inscription. In other respects, the interior of the church is a typical 17th-century interior. The pulpit is from 1637. The pews, the altar piece and the balcony front with representations of the apostles also date from the 17th century. The baptismal font, originally with a silver bowl, was presented to the church in 1722 by Captain Busch and the officers of the East India vessel 'ANNA SOPHIA' that had been in distress at sea.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.