Lyse Abbey was founded in 1146 by Sigurd, Bishop of Bergen, on farmland that he owned, as the Christianisation of Norway was nearing completion. The first monks were brought from Fountains Abbey in Yorkshire, England. This was the first Cistercian monastery in Norway and was modelled on others built in England and France.
As with all Cistercians, the monks took a vow of poverty. Renouncing all sources of income except from farming, they developed considerable skill in farming operations and management. Over time, this led to the abbey acquiring many other farms in the area, making it ever more rich and powerful. In all, the monastery had about 50 other farms in Os with at least as many more in other areas.
The abbey was dissolved in 1537 when Christian III of Denmark decreed Lutheranism to be the state religion of Norway. The abbey’s possessions were confiscated, becoming the property of the King. Over the next two centuries, the stones of the monastery structures were gradually removed and contributed to buildings such as the Rosenkrantz Tower in Bergen, and Kronborg Castle in Helsingør in Denmark. Some stones were shipped as far as Germany.
The ruins are protected as a national monument and archaeological work to preserve and record the site continues. The monastery is a well-visited tourist site with good nature walks nearby. It is common for couples today to be married at the ruins, or at least to have wedding photographs taken there.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.