The Mir (Mirsky) Castle Complex was listed as a UNESCO World Heritage site in 2000. Duke Yuri Ilyinich began construction of the castle near the village of Mir after the turn of the 16th century in the Gothic architectural style. Five towers surrounded the courtyard of the citadel, the walls of which formed a square of 75 meters on each side. In 1568, when the Ilyinich dynasty died out, the Mir Castle passed into the hands of Mikołaj Krzysztof 'the Orphan' Radziwiłł, who refitted it with a two-winged, three-story stately residence along the eastern and northern inner walls of the castle. Plastered facades were decorated with limestone portals, plates, balconies and porches in the Renaissance style.
In 1817, after the castle had been abandoned for nearly a century and had suffered severe damage in the Napoleonic wars, owner Dominik Hieronim Radziwiłł died of battle injuries and the castle passed to his daughter Stefania, who married Ludwig zu Sayn-Wittgenstein-Berleburg. Later the castle became a possession of their daughter Maria, who married Prince Chlodwig Hohenlohe-Schillingsfürst.
Their son, Maurice Hohenlohe-Schillingsfürst, sold the castle to Nikolai Sviatopolk-Mirski, of the Bialynia clan, in 1895. Nikolaj's son Michail began to rebuild the castle according to the plans of architect Teodor Bursze. The Sviatopolk-Mirski family owned the castle until 1939, when the Soviet Union occupied eastern Poland.
When German forces invaded the Soviet Union in 1941 they occupied the castle and converted it to a ghetto for the local Jewish population, prior to their liquidation. Between 1944 and 1956, the castle was used as a housing facility, resulting in damage to the castle's interior.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.