Nesvizh or Niasvizh Castle is a residential castle of the Radziwiłł family. The estate was owned by the Radziwiłł magnate family from 1533, when it was awarded to Mikołaj Radziwiłł and his brother Jan Radziwiłł after the extinction of the Kiszka family. Since the Radziwills were one of the most important and wealthy clans of the Grand Duchy of Lithuania, it was there that the Lithuanian Archive was moved in 1551. In 1586 the estate was turned into an ordynacja.
In 1582 Mikołaj Krzysztof 'Sierotka' Radziwiłł, the Marshal of Lithuania, voivode of Trakai and Vilnius and castellan of Šiauliai, started the construction of an imposing square three-storey chateau. Although the works were based on a pre-existing structure of a mediæval castle, the former fortifications were entirely turned into a renaissance-baroque house. Construction was completed by 1604, and they added several galleries half a century later. The château's corners were fortified with four octagonal towers.
In 1706, during the Great Northern War, Charles XII's army sacked the castle and destroyed its fortifications. Several decades later, the Radziwiłłs invited some German and Italian architects to substantially renovate and enlarge the chateau. Antoni Zaleski decorated its yellow facades with baroque stucco work. The 16th-century castle gates were also reconstructed, and the two-storey gatehouse tower was crowned with a helm. It was at this time that the three separate buildings surrounding the central courtyard were joined into a single structure.
The most important structure in Nesvizh is the Corpus Christi Church (1587 to 1603), connected with the castle by a dam over a ditch and containing coffins of 72 members of the Radziwill family, each interred in a simple coffin made of birch and marked with Trąby Coat of Arms. Designed by the Italian architect Gian Maria Bernardoni (1541 to 1605), the church is considered the first Jesuit temple patterned after Il Gesù in Rome, the first domed basilica with Baroque facade in the world and the first baroque piece of architecture in Eastern Europe.
Apart from elaborate princely sepulchres, its interior features some late baroque frescoes from 1760s and the Holy Cross altar, executed by Venetian sculptors in 1583.
In 1770 the castle was seized by Russian forces and the Radziwill family was expelled. Soon afterwards the Lithuanian Archive was transferred to Saint Petersburg (where it remains), while the majority of works of art gathered in the palace were distributed among various Russian nobles. Abandoned both by the original owners and by the Russian army, the palace gradually fell into disrepair. However, it was restored by the Radziwills and between 1881 and 1886 the castle's interiors were renovated by Prince Anton Radizwill and his French wife, Marie de Castellane. They also designed a landscape park in English style. With an area of more than one square kilometre, the park is one of the biggest such facilities in Europe.
In 1939, the Radziwiłł family was expelled from the castle by the invading Red Army. In Soviet times, the castle was used a sanatorium, while the park gradually fell in neglect. In 1994, the castle complex was designated the national historical and cultural reserve. In 2005 the castle complex was listed by UNESCO as a World Heritage Site.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.