In 1321, Bishop Konrad Kamien gave the patronage to the church in Darłowo to the brothers Święce: Peter and Jasiek and Peter’s son - Wawrzyniec. This year is considered to be the beginning of the construction of the Blessed Virgin Mary, known as St. Mary's Church. The church was damaged by fire in 1589, 1624, 1679 and 1722. The fire in 1679, resulting from a lightning strike, burned down the entire interior of the church with a tower.
From 1535 till the end of the hostilities in 1945, the church belonged to Protestants, most of whom lived in the area of Pomerania. At that time, there were many changes in church architecture. After the Second World War, along with Polish settlers, Catholic priests came to the city. On August 14, 1945, the Franciscans of the Province of Our Lady of Immaculate Conception took over the church and on September 1 of that same year, its consecration was made. Father Damian Tyniecki was the first parish priest. Since 1974, the church has been reconstructed to regain its Gothic roots. The balconies were removed, the plasters were knocked off from the rib vaulting in the nave and aisles; a bay and two gothic and medieval portals, well-preserved wall paintings in the chancel were exposed.
The most interesting detail in St. Mary's Church is Pomeranian Mausoleum with the sarcophaguses of King Eric, Elizabeth, wife of the last Duke of Pomerania and Hedwig - Princess of Pomerania which are located in the chapel of the church tower. There is also richly decorated Baroque pulpit, probably from around 1700. Its body is embellished with reliefs of scenes from the life of Christ and biblical scenes. The pulpit is supported by the figure of an angel. The canopy is a scene of the Last Judgment. The church has a Baroque mural painting of Adoration of the Magi (17th-18th century) and a window painting of St. Christopher located in the walled bay. In addition, there are six portraits of the Apostles from the late 17th century, the Renaissance baptismal bowl from the 16th century, made in Nuremberg. Baptismal font carved in the plate is the work of an artist from Pomeranian Land - William Gross. It is located in the nave of the church, just below the balcony.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.