Craco is a ghost town in the region of Basilicata, precisely in Matera province, Italy. Located about 25 miles inland from the Gulf of Taranto, It lays atop a cliff upon the Cavone River valley. The landscape is characterized by 'calanchi', a semidesertic hill extensively eroded which appear barren in summer and grassy in springtime.
Tombs have been found dating from the 8th century b.c. suggesting the original settlement dates back to then when the area was inhabited by Greeks who moved inland from the coastal town of Metaponto in order to avoid malaria. The town’s name can be dated to 1060 when the land was the possession of Archbishop Arnaldo, Bishop of Tricarico, who called the area “GRACHIUM” which means 'from the little plowed field.' This long association of the Church with the town had a great influence since Byzantine monks developed agriculture in 10th century.
From 1154 to 1168, the control of the village passed to norman lord Eberto who established the first feudal control over the town. Then in 1179, Roberto di Pietrapertos became the landlord of Craco. In 1276, a university was established in town. During this period in the 13th century, the landmark castle was built under the direction of Attendolo Sforza. In 1293, under Federico II, the Castle Tower became a prison. By the 15th century, four large plazas had developed in the town: Palazzo Maronna near the tower, Palazzo Grossi near the big church, Palazzo Carbone on the Rigirones property, and Palazzo Simonetti.
The population increased from 450 (1277), to 655 (1477), to 1,718 (1532) until reaching 2,590 in 1561; and averaged 1,500 in succeeding centuries. During 1656, a plague struck with hundreds dying and reducing the number of families in the town.
By 1799, the townspeople overthrew the feudal system and Innocenzo De Cesare returned to Naples, where he had studied, and promoted an independent Municipality. Subsequently, the town fell under the control of the Italian King and thereafter ruled by a period of French occupation. By 1815, the town was large enough to divide it into two districts: Torrevecchia – the highest area adjacent to the castle and tower, and Quarter della Chiesa Madre – the area adjacent to San Nicola’s Church
After the unification of Italy, Craco was conquered by Carmine Crocco and there was a growth of “brigands” in the area who plagued the town until the mid-1860s. With the end of the civil strife the greatest difficulty the town faced became environmental and geological.
From 1950"s and onwards, the geological processes on the area worsened, creating soil instability and danger to the human population. Between 1959 and 1972, a series of landslides happened, causing several parts of the village to become severely damaged. It was deemed that there was danger of accidents if people kept on living in the town.
Catholic monks had founded present Craco, and their influence remained strong throughout the centuries. Many churches were built; one of those churches is the Church of the Observant Friars Minor dedicated to St. Peter (17th C). Nowadays, it is partially restored; with its modernization, it changed its main role, become a conference center.
The church of Santa Maria della Stella is another religious-oriented building. Having been built on the hillside, it is devoted to the Virgin Mary. The site of the chapel is the location where the statue of the Virgin and Child was reported to be miraculously discovered in the water by a shepherd. The statue of the Virgin is still housed there, although the original representation of the son was stolen and has been replaced by a more recent copy.
There is also a small new church in Sant’ Angelo, located in the only remaining section of the hilltop that is still inhabited. This church houses the religious relic of the mummified body of Vincenzo, Martyr of Craco - the martyred patron saint of the town. It is still actively served with fresh flowers brought into the church daily. Tradition says that San Vincenzo was a soldier in the Legion of Tebea, the army of General Massimiliano in 286 AD. He was martyred after not renouncing Christianity, refusing to worship as a god the Roman Emperor of his day, who was Marcus Aurelius. His body was brought to the town in 1769 and was placed in the new church after a big part of the old town collapsed.
There is yet another church in the old town: Chiesa Madre (di San Nicola Vescovo - St. Nicholas Bishop); it is the largest church in the village.
When the collapse of the old town quarters happened, the statues and interior decorations were moved to the new church which now represents the center of the new town, Craco Peschiera. Although modern in appearance on the outside, the historical statues inside give the image of old Craco.
Nowadays, there are still several religious festivals which are celebrated in the town:
A local market fair is still celebrated once each month in Craco Peschera, based on the sale and purchase of mostly agricultural and cattle produce from the surrounding areas.
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.