Craco is a ghost town in the region of Basilicata, precisely in Matera province, Italy. Located about 25 miles inland from the Gulf of Taranto, It lays atop a cliff upon the Cavone River valley. The landscape is characterized by 'calanchi', a semidesertic hill extensively eroded which appear barren in summer and grassy in springtime.
Tombs have been found dating from the 8th century b.c. suggesting the original settlement dates back to then when the area was inhabited by Greeks who moved inland from the coastal town of Metaponto in order to avoid malaria. The town’s name can be dated to 1060 when the land was the possession of Archbishop Arnaldo, Bishop of Tricarico, who called the area “GRACHIUM” which means 'from the little plowed field.' This long association of the Church with the town had a great influence since Byzantine monks developed agriculture in 10th century.
From 1154 to 1168, the control of the village passed to norman lord Eberto who established the first feudal control over the town. Then in 1179, Roberto di Pietrapertos became the landlord of Craco. In 1276, a university was established in town. During this period in the 13th century, the landmark castle was built under the direction of Attendolo Sforza. In 1293, under Federico II, the Castle Tower became a prison. By the 15th century, four large plazas had developed in the town: Palazzo Maronna near the tower, Palazzo Grossi near the big church, Palazzo Carbone on the Rigirones property, and Palazzo Simonetti.
The population increased from 450 (1277), to 655 (1477), to 1,718 (1532) until reaching 2,590 in 1561; and averaged 1,500 in succeeding centuries. During 1656, a plague struck with hundreds dying and reducing the number of families in the town.
By 1799, the townspeople overthrew the feudal system and Innocenzo De Cesare returned to Naples, where he had studied, and promoted an independent Municipality. Subsequently, the town fell under the control of the Italian King and thereafter ruled by a period of French occupation. By 1815, the town was large enough to divide it into two districts: Torrevecchia – the highest area adjacent to the castle and tower, and Quarter della Chiesa Madre – the area adjacent to San Nicola’s Church
After the unification of Italy, Craco was conquered by Carmine Crocco and there was a growth of “brigands” in the area who plagued the town until the mid-1860s. With the end of the civil strife the greatest difficulty the town faced became environmental and geological.
From 1950"s and onwards, the geological processes on the area worsened, creating soil instability and danger to the human population. Between 1959 and 1972, a series of landslides happened, causing several parts of the village to become severely damaged. It was deemed that there was danger of accidents if people kept on living in the town.
Catholic monks had founded present Craco, and their influence remained strong throughout the centuries. Many churches were built; one of those churches is the Church of the Observant Friars Minor dedicated to St. Peter (17th C). Nowadays, it is partially restored; with its modernization, it changed its main role, become a conference center.
The church of Santa Maria della Stella is another religious-oriented building. Having been built on the hillside, it is devoted to the Virgin Mary. The site of the chapel is the location where the statue of the Virgin and Child was reported to be miraculously discovered in the water by a shepherd. The statue of the Virgin is still housed there, although the original representation of the son was stolen and has been replaced by a more recent copy.
There is also a small new church in Sant’ Angelo, located in the only remaining section of the hilltop that is still inhabited. This church houses the religious relic of the mummified body of Vincenzo, Martyr of Craco - the martyred patron saint of the town. It is still actively served with fresh flowers brought into the church daily. Tradition says that San Vincenzo was a soldier in the Legion of Tebea, the army of General Massimiliano in 286 AD. He was martyred after not renouncing Christianity, refusing to worship as a god the Roman Emperor of his day, who was Marcus Aurelius. His body was brought to the town in 1769 and was placed in the new church after a big part of the old town collapsed.
There is yet another church in the old town: Chiesa Madre (di San Nicola Vescovo - St. Nicholas Bishop); it is the largest church in the village.
When the collapse of the old town quarters happened, the statues and interior decorations were moved to the new church which now represents the center of the new town, Craco Peschiera. Although modern in appearance on the outside, the historical statues inside give the image of old Craco.
Nowadays, there are still several religious festivals which are celebrated in the town:
A local market fair is still celebrated once each month in Craco Peschera, based on the sale and purchase of mostly agricultural and cattle produce from the surrounding areas.
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.