Pechersky Voznesensky Monastery is usually said to have been founded ca. 1328-1330 by St. Dionysius, who came to Nizhny Novgorod from Kiev Pechersk Lavra (i.e., Kiev Monastery of the Caves, pechery meaning 'caves') with several other monks, and dug for himself a cave on the step Volga shore some 3 km southeast of the city. Later on, he founded at that site a monastery with a church of Resurrection of the Lord.
The monastery soon became an important spiritual and religious center of the Principality of Suzdal and Nizhny Novgorod. The monastery was destroyed by a landslide on June 18, 1597; surprisingly, no one died. The same year the monastery was rebuilt about 1 km upstream (north) of the old site.
Although there are no caves in the modern monastery, the appellation Pechersky, linking it to the old Kiev cloyster, has been preserved. Moreover, the entire section of Nizhny Novgorod surrounding the monastery, occupying uplands above the Volga south of the city center, is known as Pechery.
The monastery was closed by NKVD in 1924, and reopened in 1994.
The current Ascension Cathedral is constructed in 1630—1632.The Church of Dormition of Our Lady dates from 1648 and the church of Saint Venerable Euthimios of Suzdal from 1645.The other buildings date from the 17th and 18th centuries. The belfry of the Ascension Cathedral (which also serves as a clock tower) is noticeably out of plumb. It has been leaning almost since the time it was originally constructed. The monastery is surrounded by a red brick wall with small towers, making it look like a small kremlin. The diocesal archeological museum and a book and icon shop operate in the monastery.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.