Pechersky Voznesensky Monastery is usually said to have been founded ca. 1328-1330 by St. Dionysius, who came to Nizhny Novgorod from Kiev Pechersk Lavra (i.e., Kiev Monastery of the Caves, pechery meaning 'caves') with several other monks, and dug for himself a cave on the step Volga shore some 3 km southeast of the city. Later on, he founded at that site a monastery with a church of Resurrection of the Lord.
The monastery soon became an important spiritual and religious center of the Principality of Suzdal and Nizhny Novgorod. The monastery was destroyed by a landslide on June 18, 1597; surprisingly, no one died. The same year the monastery was rebuilt about 1 km upstream (north) of the old site.
Although there are no caves in the modern monastery, the appellation Pechersky, linking it to the old Kiev cloyster, has been preserved. Moreover, the entire section of Nizhny Novgorod surrounding the monastery, occupying uplands above the Volga south of the city center, is known as Pechery.
The monastery was closed by NKVD in 1924, and reopened in 1994.
The current Ascension Cathedral is constructed in 1630—1632.The Church of Dormition of Our Lady dates from 1648 and the church of Saint Venerable Euthimios of Suzdal from 1645.The other buildings date from the 17th and 18th centuries. The belfry of the Ascension Cathedral (which also serves as a clock tower) is noticeably out of plumb. It has been leaning almost since the time it was originally constructed. The monastery is surrounded by a red brick wall with small towers, making it look like a small kremlin. The diocesal archeological museum and a book and icon shop operate in the monastery.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.