The pride of Tvrdošín and its oldest preserved building is the Gothic wooden All Saints church situated in the local cemetery. In 2008, along with seven wooden churches of the Slovak part of Carpathian Mountain Area, it was included on the UNESCO Word Heritage List.
Its origins date back to the second half of the 15th century and it was rebuilt in Renaissance style in the 17th century. The Baroque altar from the end of the 17th century with the painting of All Saints dominates the interior of the church. Formerly, there was a low Gothic altar. Only one wing with the paintings of St Peter and St John the Baptist was preserved. The original central part of the altar, a painting of Bemoaning the Death of Christ from the 15th century was moved in 1919 to a museum in Budapest. The interior of the church was finished in the mid-17th century.
Viewing the church, especially the paintings of the Apostles, the Late Renaissance pulpit with figures of the Evangelists from 1654, and a painting of St George mounted on a horse fighting a dragon (a distemper painting on wood from 1653) will draw the attention of any visitor. The wonderful dome paintings (a sky with stars, angels and a panelled ceiling) complement the Gothic mysticism of the space.References:
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne"s court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.