Orava Castle, situated on a high rock above Orava river, is considered to be one of the most beautiful castles in Slovakia. The castle was built in the Kingdom of Hungary in the 13th century. Orava Castle stands on the site of an old wooden fortification, built after the Mongol invasion of Hungary of 1241. Its history since then reveals a familiar pattern of construction, destruction, reconstruction, fire, various ownerships and territorial squabbles. The original design was in Romanesque and Gothic style; it was later reconstructed as a Renaissance and Neo-Gothic structure, hugging the shape of the 520-metre spur on which it perches.
In 1370 as part of the Hungarian Kingdom the castle became the center of Árva county. A tetrahedral multi-story towerntury was built here in the 14th century, probably on older foundations, as a donjon – the place of 'last defense' within the castle. After 1474, King Matthew gave orders to build a square and a residence-wing in the Middle Castle. The buildings were situated in front of the castle. In 1534 John of Dubovec obtained the castle and became head of the county. He started to rebuild the castle and to make new fortifications. He ordered the building of a half-round tower in the Upper Castle that in 1539 was followed by two large round fortifications for cannons in the Middle Castle. The middle platform was also configured for cannon firing. In the years 1539 – 1543 John of Dubovec built a five-story palace in the empty space between the tower and the stone wall of the Upper Castle. The Turkish threat was the reason for building these new fortifications. A new gate with a ditch and drawbridge in the Lower Castle was completed in 1543. The Tower of the Archives was built against the castle walls.
After the death of John of Dubovec, his heirs quarreled over the inheritance and the situation became so bad that the castle even became a store-house. It was paid for by the mine owner Ferenc Thurzó. A lot of building activity took place at the castle following this time period. The wooden stairs in the Upper Castle were replaced by stone stairs. The same was done to the stairs between the Middle and the Upper Castle with the drawbridge. A cellar was also dug out of the stone of the castle court and a one-story residence-wing was built in the Lower Castle near the west wall.
György Thurzó also carried out some important repairs. One of the first was the building of a tunnel between both castle gates, above which was formed a large terrace. After this was all done he moved the living-quarters and the building of the Chapel started using parts of some old architecture. The interior furnishing of the Chapel was later arranged in a taste which suited the new owners of the Castle. One of the most well-known features is the Renaissance grave tomb of György Thurzó from the beginning of the 17th century and the Baroque altar from 1751 - 1752.
After the death of Erzsébet Czobor, the widow of György Thurzó, the castle became the property of Thurzó"s daughters, who entrusted its administration to an elected administrator. Because of changes in politics, society and the economy, the castle gradually lost its important functions. Only a few clerks stayed on and the uninhabited and disused parts of the castle gradually deteriorated. The greatest catastrophe affected the castle in 1800, when a gigantic fire destroyed all the wooden parts of the castle. Some objects from the Lower Castle were recovered after the fire because they had been covered by the shingles. However, the objects from the Middle and Upper Castle were not reconstructed until 1861.
To find a use for the historical object, Ödön Zichy, the administrator of the property, organized a foundation which had the aim of founding a regional museum of Orava. The first exhibition took place at the Thurzo Palace in 1868. Nowadays, the Orava Museum is one of the oldest in Slovakia. Its most attractive expositions are those of the Castle Chapel, the Knights" Room, and several rooms with period-style furnishing. Further highlights include the Painting Gallery, the Weapon room, and the scientific, ethnographic and archaeological collections.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.