The Castle of Kisnána is one of the most beautiful remains of late-Medieval noble residences in Hungary. Its history well demonstrates the evolution and transformation of landlord residences. Like the other settlements in the Mátra region, Kisnána also belonged to the Clan Aba. In the early 13th century the Kompolti family evolved from the Clan Aba, and one of its descendants, Péter Kompolti took possession of the land of Nána. Péter accumulated an immense fortune during the reign of the last kings of the Árpád dynasty and King Charles Robert and even held important posts in the king's court; he was the Chamberlain of the Queen. His fortune allowed him to build a fortress and the Castle of Oroszlánkő near Domoszló was probably built by him.
In 1325 Péter's three sons shared the inheritance from their father and István inherited the village of Egyházas-Nána. He transferred his residence there and he and his descendants assumed the name Kompolti of Nána. He had the first mansion built near the parish church. In the first third of the 15th century the members of the Kompolti family had the village parish church of the now called Kisnána rebuilt in Gothic style. Under the inheritance agreement, when the Kompolti family died out along the male line, Kisnána was inherited by the Guti Ország family. The castle was transformed and a large wine cellar was built under the inner court which could be entered through the stairway from the new extension built next to the chapel. The earth excavated during the construction of the cellar was used to raise the level of the court, which was then covered with new stones. The north palace was also transformed and Renaissance-style window frames were built in.
In the early 1500s, the castle was fortified again, the Anjou-age mansion in the south-west corner of the outer fortress was demolished and its stone walled basement was filled up with earth. At that time the Lord of the Castle was István Losonczy, who gave refuge to László Móré (see the legend). In 1543, only two years after the Turkish occupation of Buda, Kisnána was destroyed by the Turks. As the Turks did not retain the ruined castle, in the next few decades several plans were made to rebuild and change the fortress into a border stronghold. However, the castle, was never rebuilt partly because of the early death of the owner.
The ruins of the castle were cleared in the 1940s when the members of the paramilitary youth organizations created a military practice field there. During the clearing work, Géza Lux surveyed the ruins, a dwelling house was built among them and another dwelling place was also created in the gate tower. Between 1962 and 66, Nóra Pámer and later János Győző Szabó conducted thorough archaeological excavations, which were then followed by the historic restoration of the site. The exposed walls were restored, the north palace was covered with a protecting metal roof and the roof of the chapel was covered with a flat hip roof.References:
Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Construction of the bastion destabilised the foundations of the neighbouring 13th century Dominican Church which had to be pulled down. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II.
From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill.
Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896.
The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths.
A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life.