Cladh Hallan is an archaeological site on the island of South Uist. It is significant as the only place in Great Britain where prehistoric mummies have been found. Excavations were carried out there between 1988 and 2002, indicating the site was occupied from 2000 BC.
In 2001, a team of archaeologists found four skeletons at the site, one of them a male who had died ca. 1600 BC, and another a female who had died ca. 1300 BC. At first the researchers did not realise they were dealing with mummies, since the soft tissue had decomposed and the skeletons had been buried. But tests revealed that both bodies had not been buried until about 1120 BC, and that the bodies had been preserved shortly after death in a peat bog for 6 to 18 months. The preserved bodies were then apparently retrieved from the bog and set up inside a dwelling, presumably having religious significance. Archaeologists do not know why the bodies were buried centuries later. The Cladh Hallan skeletons differ from most bog bodies in two respects: unlike most bog bodies, they appear to have been put in the bog for the express purpose of preservation (whereas most bog bodies were simply interred in the bog), and unlike most bog bodies, their soft tissue was no longer preserved at the time of discovery.
The skeletons and other finds are being analysed in laboratories in Scotland, England and Wales. Following the provisions of the Treasure Trove Act, all the finds from Cladh Hallan, including the skeletons, will be allocated to a Scottish museum after the lengthy process of analysis and reporting is completed. According to recent anthropological and DNA-analysis the skeletons of a female and a male were compiled from body parts of at least 6 different human individuals.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.