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One of the most significant historic sites in the Western Isles, Howmore is a complex of churches, chapels, and a burial ground, on a site that may have been used in pre-Christian times. The main chapel dates to at least the 8th century, and may stand on a prehistoric site levelled to make way for the new buildings. Much of the site is enclosed within a short wall of 19th century provenance.There is some suggestion that the first Christian presence at Howmore dates as far back as the 6th century; evidence for this suggestion comes from an early cross-marked grave slab found amid the ruins.
Amid the ruins are the old parish church, Teampull Mor/Mhoire, now nothing more than a section of the east gable pierced by two 13th century windows. To the east is a section of a second church, Caibeal Dhiarmid, again represented by a single gable end.
Just outside the enclosed graveyard stands the roofless ruin of Caibeal Dubhghaill (Dugall's Chapel), and to the north east is Chlann 'ic Ailein (Clanranald's chapel), probably 16th century, but incorporating bits of medieval stone which may suggest that it was an earlier medieval structure modified for use by Clanranald. This is likely the burial aisle recorded as erected by John MacDonald of Clanranald (d.1574).
The most celebrated historical artefact found at Howmore is the so-called Clanranald Stone, a stone panel carved with the Clanranald arms. For many years the panel lay against a wall of the in the decaying graveyard. Carved of granite brought from Carsaig, on Mull, the stone dates to the late 16th or early 17th century. It is about 75cm x 80cm and weighs a hefty 160kg. Note the weight and then consider the determination necessary to carry the stone away unnoticed. Yet that is exactly what happened; in 1990 the Clanranald Stone disappeared from the Howmore site without a trace.
To get to the chapel site, follow signs for the Youth Hostel, which is located immediately uphill of the chapel site.
References:The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.