Henry V, Duke of Bavaria and his wife Luitgard erected a collegiate abbey of Augustinian Canons in his palace in Osterhofen in 1004–09. In 1017 the Emperor Henry II of Germany transferred the abbey to the diocese of Bamberg. In 1128 Bishop Otto of Bamberg brought men and women from the Premonstratensian Ursberg Abbey to the Osterhofen collegiate abbey.The abbey was endowed with extensive properties in the Wachau valley of Austria. The female branch of the abbey was probably extinct after 1200. In 1288 the head of the abbey become a provost. In 1414 the abbot was granted the right to wear the miter in liturgical celebrations.
1748 J.G. Käser painting of fighting between Deggendorf and Vilshofen during the War of the Austrian SuccessionThrough its history, the monastery and the town had a checkered history, suffering damage from warfare and fire. There was a fire in the monastery in 1512. In 1701 a major fire caused by lightening destroyed the monastery. It was rebuilt in 1717–27. The former Gothic church also suffered great damage, and in 1726 it was decided to erect a new building. The fantastically ornamented monastery church was designed and built in 1726–40.
In 1783 the monastery was dissolved by the Bavarian state. Maria Anna Sophia, the widow of the Elector of Bavaria, wished to give the noble-born nuns of the convent of Saint Anne in Munich a better endowment. The Pope agreed to assign the monastery and its properties to the sisters. The last of the Premonstratensians remained in the building until 1800. The church became the parish church in 1818. The convent sold the monastery building to the state in 1833.
In 1858 the Sisters of Loreto moved into the building and founded a girls' secondary school. In 1859 it was designated a school for middle class girls to learn housework, and from 1859 to 1873 as an institute for neglected children. In 1886 it became a college of education. Care of small children began in 1901. The school started accepting day pupils in 1913. A dilapidated part of the abbey's west wing was demolished in 1938. In 1942 the school was temporarily closed, opening again in 1946.
The monastery church, built in colored stucco and marble, is one of the most lavishly decorated in Lower Bavaria. It was designed and built between 1726 and 1740 by the Munich architect and master-builder Johann Michael Fischer (1727–28) and the brothers Cosmas Damian Asam and Egid Quirin Asam. The nave is large, bright and spacious, with a 22 metres high ceiling. The Asam brothers created a throne room in honor of God. Cosmas Damian Asam, a brilliant painter, created the wonderful frescoes in the church. His brother Egid Quirin Asam filled the church interior with sculptures and ornaments, notably the impressive high altar. The altarpiece represents Saint Margaret set within a pagan environment, with a statue of Venus in a temple behind her. The church is considered a masterpiece of late baroque Bavarian church architecture. In 1983 the church became the Minor Basilica of St. Margaret, known as the Asambasilika.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.