Jouarre Abbey was traditionally founded around 630 AD by the Abbess Theodochilde or Telchilde. She was inspired by the visit of St. Columban, the travelling Irish monk who inspired monastic institution-building in the early seventh century. As part of its Celtic heritage, Jouarre was established as a double community of monks as well as nuns, both under the rule of the abbess, who in 1225 was granted immunity from interference by the bishop of Meaux, answering only to the pope.
The Merovingian (pre-Romanesque) crypt beneath the Romanesque abbey church contains a number of burials in sarcophagi, notably that of Theodochilde's brother, Agilbert (died 680), carved with a tableau of the Last Judgment and Christ in Majesty, highlights of pre-Romanesque sculpture. In the mid-ninth century the abbey acquired relics of St. Potentian; the relics assembled at Jouarre attracted pilgrims. The reputation of the house stood so high the abbey received a visit from Pope Innocent II in 1131 and was able to house a synod in 1133. The abbess's submission to the bishop of Meaux did not come about until Bossuet held the post in 1690.
The abbey is an important pilgrimage center. A fortified town was built around it and gave birth to the present city of Jouarre.
At the time of the St. Bartholomew's Day massacre (1572), the abbess Charlotte of Bourbon (1547–1582) converted to Protestantism and escaped from the abbey in a cart of hay, and fled to Germany. She married William I of Orange-Nassau.
The present monastery buildings, once again occupied by Benedictine nuns, date from the eighteenth century; their traditional vegetable and fruit garden are notable.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.