Jouarre Abbey was traditionally founded around 630 AD by the Abbess Theodochilde or Telchilde. She was inspired by the visit of St. Columban, the travelling Irish monk who inspired monastic institution-building in the early seventh century. As part of its Celtic heritage, Jouarre was established as a double community of monks as well as nuns, both under the rule of the abbess, who in 1225 was granted immunity from interference by the bishop of Meaux, answering only to the pope.
The Merovingian (pre-Romanesque) crypt beneath the Romanesque abbey church contains a number of burials in sarcophagi, notably that of Theodochilde's brother, Agilbert (died 680), carved with a tableau of the Last Judgment and Christ in Majesty, highlights of pre-Romanesque sculpture. In the mid-ninth century the abbey acquired relics of St. Potentian; the relics assembled at Jouarre attracted pilgrims. The reputation of the house stood so high the abbey received a visit from Pope Innocent II in 1131 and was able to house a synod in 1133. The abbess's submission to the bishop of Meaux did not come about until Bossuet held the post in 1690.
The abbey is an important pilgrimage center. A fortified town was built around it and gave birth to the present city of Jouarre.
At the time of the St. Bartholomew's Day massacre (1572), the abbess Charlotte of Bourbon (1547–1582) converted to Protestantism and escaped from the abbey in a cart of hay, and fled to Germany. She married William I of Orange-Nassau.
The present monastery buildings, once again occupied by Benedictine nuns, date from the eighteenth century; their traditional vegetable and fruit garden are notable.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.