Jouarre Abbey was traditionally founded around 630 AD by the Abbess Theodochilde or Telchilde. She was inspired by the visit of St. Columban, the travelling Irish monk who inspired monastic institution-building in the early seventh century. As part of its Celtic heritage, Jouarre was established as a double community of monks as well as nuns, both under the rule of the abbess, who in 1225 was granted immunity from interference by the bishop of Meaux, answering only to the pope.
The Merovingian (pre-Romanesque) crypt beneath the Romanesque abbey church contains a number of burials in sarcophagi, notably that of Theodochilde's brother, Agilbert (died 680), carved with a tableau of the Last Judgment and Christ in Majesty, highlights of pre-Romanesque sculpture. In the mid-ninth century the abbey acquired relics of St. Potentian; the relics assembled at Jouarre attracted pilgrims. The reputation of the house stood so high the abbey received a visit from Pope Innocent II in 1131 and was able to house a synod in 1133. The abbess's submission to the bishop of Meaux did not come about until Bossuet held the post in 1690.
The abbey is an important pilgrimage center. A fortified town was built around it and gave birth to the present city of Jouarre.
At the time of the St. Bartholomew's Day massacre (1572), the abbess Charlotte of Bourbon (1547–1582) converted to Protestantism and escaped from the abbey in a cart of hay, and fled to Germany. She married William I of Orange-Nassau.
The present monastery buildings, once again occupied by Benedictine nuns, date from the eighteenth century; their traditional vegetable and fruit garden are notable.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.