Jouarre Abbey was traditionally founded around 630 AD by the Abbess Theodochilde or Telchilde. She was inspired by the visit of St. Columban, the travelling Irish monk who inspired monastic institution-building in the early seventh century. As part of its Celtic heritage, Jouarre was established as a double community of monks as well as nuns, both under the rule of the abbess, who in 1225 was granted immunity from interference by the bishop of Meaux, answering only to the pope.
The Merovingian (pre-Romanesque) crypt beneath the Romanesque abbey church contains a number of burials in sarcophagi, notably that of Theodochilde's brother, Agilbert (died 680), carved with a tableau of the Last Judgment and Christ in Majesty, highlights of pre-Romanesque sculpture. In the mid-ninth century the abbey acquired relics of St. Potentian; the relics assembled at Jouarre attracted pilgrims. The reputation of the house stood so high the abbey received a visit from Pope Innocent II in 1131 and was able to house a synod in 1133. The abbess's submission to the bishop of Meaux did not come about until Bossuet held the post in 1690.
The abbey is an important pilgrimage center. A fortified town was built around it and gave birth to the present city of Jouarre.
At the time of the St. Bartholomew's Day massacre (1572), the abbess Charlotte of Bourbon (1547–1582) converted to Protestantism and escaped from the abbey in a cart of hay, and fled to Germany. She married William I of Orange-Nassau.
The present monastery buildings, once again occupied by Benedictine nuns, date from the eighteenth century; their traditional vegetable and fruit garden are notable.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.