In 1009 Herswithehusen (Hardehausen) became the property of Meinwerk, bishop of Paderborn. The abbey was founded in 1140 by bishop Bernhard I of Paderborn as a daughter house of Kamp Abbey on the Lower Rhine. Construction was completed with the dedication of the church in 1165.
During the Thirty Years' War the abbey was looted and destroyed. During its reconstruction in the years 1680 to 1750 it received its present form.
In 1803 the abbey was secularised, and the monks expelled. The contents were sold or auctioned, and the church was demolished in 1812. The estates were rented out as state property.
Hardehausen was briefly re-founded as a Cistercian monastery in 1927, but the new community was brought to an end by an order of dissolution issued by the National Socialist government in 1938, when the buildings and grounds were sold to the Henschel company from Kassel, from whom they were acquired by the Verein für katholische Arbeiterkolonien ('Union for Catholic Workers' Colonies'). In 1944 the Nationalpolitische Erziehungsanstalt (Napola) Bensberg transferred to Hardehausen. At this period an external work party from Buchenwald concentration camp, consisting of 30 prisoners, were deployed for forced labour in Hardehausen.
Since 1945 the former monastery has been used for the educational activities of the present Archdiocese of Paderborn. In 1970 all the buildings on the site were altered and extended for their educational functions.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.