Paderborn Cathedral is dedicated to Saint Mary, Saint Kilian and Saint Liborius. Today's cathedral is located in a position that has been occupied by churches for hundreds of years. Charlemagne had a Kaiserpfalz built near the sources of the Pader river. As early as 777 this palace had an attached church. This church, located north of today's cathedral, served as chapel to the court as well as a basis for missionary work among the Pagan Saxons. Rebellious Saxons repeatedly destroyed this first church. After the locals converted to Christianity, the first cathedral was built. Pope Leo III met Charlemagne at Paderborn in 799 and consecrated an altar to Saint Stephen, depositing some relics of that saint in it. The first cathedral of the newly established bishopric was a three-aisled basilica.
A fire destroyed the first cathedral in 1000 AD. Bishop Rethar began with rebuilding, but his successor Meinwerk had the previous work destroyed and started over, building a three-aisled church with a transept and crypt in the east. This (second) cathedral was consecrated in 1015, but destroyed in a city fire in 1058. Meinwerk's nephew, Imad had the cathedral rebuilt on a significantly larger scale (third cathedral). This building, with two transepts, already was very similar to today's cathederal. Today's crypt was built around 1100 AD. Similarly, a chapel to St. Bartholomew, connected to the cathedral, would be built after 1015 by Greek monks. Another fire in 1133 damaged the church, but its core survived. Bernhard I. von Oesede had the building strengthened and extended (fourth cathedral), it was reconsecrated in 1144/45.
In the 13th century, the cathedral was reconstructed, not due to damage but to bring it up to then current artistic and ecclesial standards. Construction likely began at the western end of the building (late Romanesque basilika, before 1220). The nave followed in the form of a hall church in early Gothic style. It was completed in the late 13th century with High Gothic elements.
In the 17th century, Prince-Bishops Dietrich Adolf von der Recke (1601-1661) and Ferdinand von Fürstenberg (1626–1683) replaced the Gothic interior features with Baroque artworks.
Repeated Allied bombing of Paderborn in 1945 resulted in severe damage to the cathedral and the loss of irreplaceable works of art, including all the historic glass windows. On 22 March 1945, fourteen people were killed by a blockbuster bomb in the cloister. Reconstruction took until the 1950s. From 1978-81, a major restoration was undertaken.
The relics of Saint Liborius are kept in the three-aisled crypt, which is one of Germany's largest crypts. Towards the west are the tombs of the Archbishops of Paderborn.
One of the cathedral's, and the city's, most recognisable features is the Dreihasenfenster ('Window of Three Hares'). It depicts three hares in motion, arranged in a triangle. Each hare is shown as having two ears, although only three ears are visible in total. The original 16th century carving can be found in the cloister's inner courtyard, and has been duplicated on numerous buildings and a number of shops throughout the city centre.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.