The present Ajaccio cathedral was built between 1577 and 1593 and is attributed to Italian architect Giacomo della Porta. It was built to replace the former Cathedral of Saint-Croix, destroyed in 1553 in order to make room for developments in the city's defenses, as stated in the permit required by the Council of Ancients in 1559 to the Senate of Genoa and Pope Gregory XIII in order to build a new cathedral. The final stone was laid in 1593 by Jules Guistiniani, made bishop by Pope Sixtus V.
According to legend, on August 15, 1769, Letizia Buonaparte felt sudden labor pains while in the cathedral. She rushed home to the Buonaparte's home, just steps away, and gave birth to Napoleon on a first floor sofa before she could reach her bedroom upstairs.
Ajaccio Cathedral is built in the style of the Counter-Reformation with an ocher Baroque façade. The interior's Latin cross is delineated by the shallow and modestly-sized transept, which is covered by a dome. The central nave is very high and wide itself, but is short in length compared to the rest of the building. It is covered with barrel vault arches reminiscent of the Renaissance era. The building also has two aisles that depart from the front door and go up to the transept, separated in the middle by the seven chapels beside two rows of three columns.
The altar is in polychrome marbles, a gift from Elisa Bonaparte, Napoleon's sister, and has an altarpiece composed of four twisted columns of black marble from Porto Venere. The Corinthian orders have a double pedestal with a collection of marble. The tabernacle dates from the time of the construction of the cathedral and originally stood at the baptismal font. It was then placed at the high altar and stands out for its unorthodox style.
Ajaccio Cathedral has seven side chapels. The cathedral also houses a large pipe organ built in 1849 by Aristide Cavaillé-Coll and later restored and electrified by Joël Pétrique.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.