The present Ajaccio cathedral was built between 1577 and 1593 and is attributed to Italian architect Giacomo della Porta. It was built to replace the former Cathedral of Saint-Croix, destroyed in 1553 in order to make room for developments in the city's defenses, as stated in the permit required by the Council of Ancients in 1559 to the Senate of Genoa and Pope Gregory XIII in order to build a new cathedral. The final stone was laid in 1593 by Jules Guistiniani, made bishop by Pope Sixtus V.
According to legend, on August 15, 1769, Letizia Buonaparte felt sudden labor pains while in the cathedral. She rushed home to the Buonaparte's home, just steps away, and gave birth to Napoleon on a first floor sofa before she could reach her bedroom upstairs.
Ajaccio Cathedral is built in the style of the Counter-Reformation with an ocher Baroque façade. The interior's Latin cross is delineated by the shallow and modestly-sized transept, which is covered by a dome. The central nave is very high and wide itself, but is short in length compared to the rest of the building. It is covered with barrel vault arches reminiscent of the Renaissance era. The building also has two aisles that depart from the front door and go up to the transept, separated in the middle by the seven chapels beside two rows of three columns.
The altar is in polychrome marbles, a gift from Elisa Bonaparte, Napoleon's sister, and has an altarpiece composed of four twisted columns of black marble from Porto Venere. The Corinthian orders have a double pedestal with a collection of marble. The tabernacle dates from the time of the construction of the cathedral and originally stood at the baptismal font. It was then placed at the high altar and stands out for its unorthodox style.
Ajaccio Cathedral has seven side chapels. The cathedral also houses a large pipe organ built in 1849 by Aristide Cavaillé-Coll and later restored and electrified by Joël Pétrique.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.