The Royal Palace of El Pardo is a historic building near Madrid, in the present-day district of Fuencarral-El Pardo. It is owned by the Spanish state and administered by the Patrimonio Nacional agency.
The palace began as a royal hunting lodge. It became an alternative residence of the kings of Spain until the reign of King Alfonso XII of Spain, who died in the palace in 1885.
King Henry III of Castile ordered the building of the pavilion in 1406, on Mount El Pardo, because of its abundant game. Later, in the time of Emperor Charles V (1547), it was transformed into a palace by the architect Luis de Vega. On 13 March 1604, a massive fire destroyed many of the paintings, including masterpieces by Titian. King Charles III of Spain renovated the building in the 18th century, appointing his architect Francesco Sabatini to undertake the job. It was newly transformed in the 20th century, doubling in size with the construction of an identical copy of the original structure to the east.
The interior decoration includes a ceiling frescoed by Gaspar Becerra, and paintings by Vincenzo Carducci and Cabrera.
In 1739 the palace hosted talks between the governments of Britain and Spain, who eventually agreed to the Convention of Pardo in a bid to avert a war. However, the Convention failed to prevent war breaking out shortly afterwards.
Generalissimo Francisco Franco lived in the palace after the Spanish Civil War. Since Franco's death, it has been used as a residence for visiting heads of state.
The Palace of Zarzuela forms part of the complex of residences at the site.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.