The Royal Palace of El Pardo is a historic building near Madrid, in the present-day district of Fuencarral-El Pardo. It is owned by the Spanish state and administered by the Patrimonio Nacional agency.
The palace began as a royal hunting lodge. It became an alternative residence of the kings of Spain until the reign of King Alfonso XII of Spain, who died in the palace in 1885.
King Henry III of Castile ordered the building of the pavilion in 1406, on Mount El Pardo, because of its abundant game. Later, in the time of Emperor Charles V (1547), it was transformed into a palace by the architect Luis de Vega. On 13 March 1604, a massive fire destroyed many of the paintings, including masterpieces by Titian. King Charles III of Spain renovated the building in the 18th century, appointing his architect Francesco Sabatini to undertake the job. It was newly transformed in the 20th century, doubling in size with the construction of an identical copy of the original structure to the east.
The interior decoration includes a ceiling frescoed by Gaspar Becerra, and paintings by Vincenzo Carducci and Cabrera.
In 1739 the palace hosted talks between the governments of Britain and Spain, who eventually agreed to the Convention of Pardo in a bid to avert a war. However, the Convention failed to prevent war breaking out shortly afterwards.
Generalissimo Francisco Franco lived in the palace after the Spanish Civil War. Since Franco's death, it has been used as a residence for visiting heads of state.
The Palace of Zarzuela forms part of the complex of residences at the site.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.