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The construction of the New Castle of Manzanares el Real, also known as Castle of los Mendoza, began in 1475 on a Romanesque-Mudéjar hermitage and today is one of the best preserved castles of the Community of Madrid. It was raised on the river Manzanares, as a residential palace of the House of Mendoza, in the vicinity of an ancient fortress that was abandoned once the new castle was built.
Diego Hurtado de Mendoza, Admiral of Castile, is credited with building the first fortress, now known as the Old Castle of Manzanares el Real, although it is likely that this building had an earlier origin. In the last third of the 15th century, the House of Mendoza decided to build a new castle-palace, larger and more luxurious, in accordance with the remarkable economic and political influence achieved by this family.
The role of the castle as a palatial residence lasted only a century. With the death in 1566 of Íñigo López de Mendoza y Pimentel, 4th Duke of the Infantado, the castle ceased to be inhabited, as economic problems and disputes arose between the heirs of the House of Mendoza.
The castle now houses a museum of Spanish castles and hosts a collection of tapestries. It was declared a Monumento Histórico-Artístico in 1931. It is owned by the Duchy of the Infantado, but its management is the responsibility of the Community of Madrid.
The castle, quadrangular, is constructed entirely of granite stone. It has four circular towers. Its vertices are decorated with balls in the Isabelline Gothic style. The main hexagonal tower is one of the highlights.
The building is topped by a terrace with machicolation and turrets. It includes a rectangular courtyard with porticos and two galleries supported by octagonal columns. The Gothic gallery on the first floor is considered the most beautiful in Spanish military architecture. On the southern chemin de ronde the gallery is flaming trace on parapets decorated with diamond shapes.
The whole castle is surrounded by a barbican, which includes loopholes and, carved in low relief, the cross of the Holy Sepulchre of Jerusalem, a title held by Pedro Gonzalez de Mendoza. Other defensive elements of the building includes its pockets.
The castle has six floors, plus a basement: ground floor, mezzanine first, main floor, mezzanine second, upper gallery and gallery of covers. The main gate is flanked by two towers with an arch between them.
References:Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.
Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.
Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.
Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.
The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.