The Fort du Portalet is a fort in the Aspe Valley in French Pyrenees, built from 1842 to 1870. The fort, built by order of Louis Philippe I, guards the border of the Pyrenees and protects access to the Col du Somport. Fort du Portalet is located on a cliff face underneath the Chemin de la Mâture and overlooks the torrential river Gave d'Aspe. Begun in 1842 and finished in 1870, the fort replaced an earlier structure further north.
Capable of accommodating 400 men, the fort served as depot and barracks for the 18th Regiment of Infantry between 1871 and 1925. It then ceased to be used as a full-time military facility.
During World War II, the Vichy regime arrested and interned Léon Blum, Édouard Daladier, Paul Reynaud, Georges Mandel and Maurice Gamelin as political prisoners at the fort. After the Riom Trials, Reynaud was transferred to German custody and held in Germany. Mandel was taken to Paris, where he was executed in 1944 by the Milice in retaliation for the assassination earlier that year of Philippe Henriot, a Vichy official, by the Resistance. After the war, Philippe Pétain, the head of the Vichy government, was imprisoned in the fort from 15 August to 16 November 1945.
After the government abandoned the fort, it was bought by the local authorities in 1999. They are restoring it.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.