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Founded: 1288Category: Historic city squares, old towns and villages in France
Historical period: Late Capetians (France)
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A Navarrese fortified village of La Bastide-Clairence was founded in 1288 by Claire de Rabastens on a hillside next to the Aran river hence its Gascon name Bastida Clarença.
800 refugees, mainly from Bigorre, were granted a charter in July 1312 by Louis I of Navarre, the future Louis X of France. The birth of the village corresponds to a need for Navarre to create a strong town in the forested frontier area. La Bastide-Clairence, as its name suggests, was a fortified town. The historian Paul Broca could still see the remains of its ancient fortress in 1875.
La Bastide-Clairence slowly accumulated a population of shop-keepers from south-western France then from Spanish refugees fleeing the Inquisition, and also from Basque towns and villages nearby. Another version of the origin of the town exists: it was populated by settlers from diverse backgrounds including pilgrims to Santiago de Compostela called the Francos.
By 1700 the population had reached 2,000. The inhabitants lived on the nail industry, woollen garments and knitwear, and agriculture. 12-day fairs ensured the prosperity of the town. In the 16th century the locals did not speak Basque, but spoke Gascon. Subsequently they gradually adopted the Basque language and customs. The town has 320 houses and mills from the 17th century. From 1575 to 1789, La Bastide-Clairence depended on the lords of Gramont.
The city had a large Jewish community after the expulsion of Portuguese Jews in the 16th and 17th centuries.
Today, the Place des Arceaux and its half-timbered houses attract many art craftsmen. The village is a member of the Les Plus Beaux Villages de France ('The most beautiful villages of France') association.
References:Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.