Ledesma still has most of the granite wall which historically has surrounded the town. A large part of what is still standing was built in times of Fernando II of Leon, in the 12th century, but in the 15th century several parts of it were rebuilt with well-carved masonry. Many stone mason marks can be seen among these stones. Out of the eight doors it once had, the only one that is still preserved is the one called Puerta de los Mártires, de San Nicolás or Caldereros (Martyrs’, San Nicolás or Boilermakers’ door). Formed by two camber arches, it is flanked on either side by two cylinder towers.
The bailey of this castle-fortress was built on the south-west end of the walled area between the 13th and 14th centuries. Set on an irregular trapezoidal plan, it has two doors: one on the north, which features the town’s coat of arms, and one on the south, flanked by two large towers.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.