Situated in the Prahova Valley, the Sinaia Monastery gave its name to the nearby town of Sinaia. Prince (Spătarul) Mihail Cantacuzino founded the monastery upon his return from a pilgrimage to Mount Sinai. The first buildings were completed between 1690 and 1695. It was designed to serve as a monastery as well as a fortified stronghold on the route from Brasov to Bucharest.
In the midst of the Russo–Turkish War, 1735–1739, before deserting the monastery, monks hid the valuables by burying them inside a bell. During a battle, the Turks defeated troops stationed within the walls of the monastery. The Ottomans burned the area and broke through the wall in two places.
Until 1850, Sinaia consisted of little more than the monastery and a group of huts. In 1864, however, the monastic estate was assigned to the Board of Civil Hospitals (Eforia Spitalelor Civile), which opened a hospital and several baths, and helped develop mineral springsin Sinaia.
The monastery consists of two courtyards surrounded by low buildings. In the centre of each courtyard there is a small church built in the Byzantine style. One of them—'Biserica Veche' (The Old Church)—dates from 1695, while the more recent 'Biserica Mare' (The Great Church) was built in 1846.
The monks possess a library that is a repository for valuable jewels belonging to the Cantacuzino family, as well as the earliest Romanian translation of the Bible, dated 1668.
In 1895 the museum of the monastery was opened, the first exhibition of religious objects in Romania. It holds collections of icons and crosses from the 17th century, the very first Bible in Romanian (Bucharest, 1688), and many other precious objects.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.