Top Historic Sights in Lienz, Austria
Explore the historic highlights of Lienz
Lienz Friary
The Carmelite friary in Lienz was founded in 1349 by the Countess Euphemia of Görz and her two sons. Although it burned down several times in the following centuries, it always received enough in donations to be able to rebuild. In about 1450 a theological college for the Carmelite Order was housed here. In the early 16th century the prior, Lucas Zach, introduced a reform to ensure that the Carmelite rule was better foll ...Bruck Castle
Burg Bruck is a medieval castle in Lienz in Tyrol. It was completed in 1278 as the residence of the Meinhardiner Counts of Görz. In 1490. the chapel was decorated with frescoes by Simon von Taisten. In 1500 the last count Leonhard of Görz bequeathed the castle to the Habsburg archduke Maximilian I of Austria, who incorporated it into his Tyrolean possessions. During the Campaigns of 1796 in the French Revolutionary Wars ...Aguntum
Aguntum was a Roman site in East Tirol. The city appears to have been built to exploit the local sources of iron, copper, zinc and gold. During the early Christian era the city was the site of a bishopric. The oldest Roman remains are a two-roomed wooden structure discovered beneath the bath house and dated to the mid-first century BC. Aguntum was a mining and trading centre which exploited local sources of iron, copper ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Mosque–Cathedral of Córdoba
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
Architecture
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.