Top Historic Sights in Tongeren, Belgium
Explore the historic highlights of Tongeren
Basilica of Our Lady
The Gothic tower of the Basilica of Our Lady dominates over the town of Tongeren and the surrounding area. It was built in Gothic style in the 13th century and recent excavations have produced some of the richest archaeological finds in Flanders. Archaeological excavations have proven the presence of an edifice here starting from the 4th century, while a Carolingian prayer house existed here in the 9th century. The buildi ...Tongeren Béguinage
Tongeren Béguinage, founded in 1257 is listed as a UNESCO World Heritage Site since 1998. Its enclosure wall was destroyed in the 19th century: it separated the beguinage from the rest of the city and thus guaranteed peace and quiet for the small religion-inspired community. In the 17th century the beguinage counted some 300 beguines; it was also able to survive the 1677 fire that destroyed most of the city. In the cente ...'s Herenelderen Castle
The main building of "s Herenelderen has been rebuilt in different periods. The oldest late Gothic style part is in the northwest corner and dates from the 16th century. The castle consists of three floors. The two brick building parts are built in Baroque style and date from the end of the 17th century. At the end of the 18th century, the courtyard was altered in the Louis XVI style.Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Palazzo Colonna
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.